16th-century modern: The unique El Greco vision To his contemporaries in late 16th-century Venice El Greco (15411614) was a contrary fellow an innate artist blessed with extraordinary talent but stubborn in the pursuit of his own path. Throughout his career as he progressed from Crete to Venice to Rome and ultimately Toledo Spain The Greek stood apart from his peers merging different Western art traditions to create a unique pictorial language. El Grecos single-minded style rejected naturalism and rejected accessibility. Works such as The Disrobing of Christ (157779) The Burial of the Count of Orgaz (158688) and The Vision of St John (160814) reveal elongated twisted figures unreal colors and an experimental rendering of space all resistant to easy viewing and intent instead on an art of epic grandeur and intellectual beauty. Frequently regarded with suspicion and criticism during his lifetime El Greco was revived by a troop of ardent modern admirers including Pablo Picasso Roger Fry and Der Blaue Reiter pioneer Franz Marc. Today the artist belongs to the privileged group of great old master painters as much an anomaly of his age as a reference point across the centuries.